Americas 250th Birthday Cinemathon #41: Public Enemies

 

There were so many famed outlaws during the early 30s that I chose to do another one. My choice is John Dillinger, and the movie is Michael Mann’s Public Enemies. It originated as a book by journalist Bryan Burrough’s Public Enemies: America’s Greatest Crime Wave and the Birth of the FBI. It encompassed all the great criminals and Burroughs hoped to see it turned into a dramatic miniseries. After a few twists and turns, however, it became a theatrical film with a singular focus on John Dillinger.

John Dillinger grew into a troublesome youth in Mooresville, Indiana and committed a robbery. He was sentenced to a surprisingly harsh sentence of ten to twenty years in prison. Instead of turning him straight, his incarceration hardened him and kept him around experienced criminals who taught him all sorts of things. When he came out, he developed into the infamous bank robber. Like Bonnie and Clyde, he received exaggerated press and some romanticizing, but even professional historians and journalists note that he had his good qualities. This made him a good subject for Michael Mann, who specializes in showing the good and bad sides of cops and criminals alike.

Most of what’s in Public Enemies is true, but jumbled around chronologically for narrative purposes. For example, the Sioux Falls Robbery combines elements of three of Dillinger’s crimes, with Dillinger’s wounding and the incident of a teen jumping onto the back of one of the robbers before being thrown off through a window. In another example, the Little Bohemia hideout and shooting actually occurred after, not before, the arrest of Dillinger’s girlfriend Billy Frechette (Marion Cotillard, more on her later). Furthermore, Baby Face Nelson, while present, made his escape and would actually die four months later than Dillinger on November 27, 1934. While the chronology is mixed, Mann did go to a lot of trouble to shoot on real sites and even had some locations altered to look more like they did back in the 30's.

Americas 250th Birthday Cinemathon #1: The New World (2005)

 

Since this year marks the 250^th birthday of the United States of America, I’ve decided to mix my love of movies and history. Roughly once a week, I’ll watch an American history film, arranging them in rough chronological order (these movies span any period from a few days to a few decades).

First is up is Terence Malick’s  The New World (2005), which covers the early years of the colony at Jamestown. Malik is a deeply philosophical filmmaker, and he is less interested than the history per se than in its personalities. Thus the movie revolves around a trio of characters. There is John Smith (the competent explorer played by Colin Farrell), the quiet planter John Rolfe (Christian Bale), and most importantly Powhatan princess Pocahontas (Q’orianka Kilcher).

As with many previous iterations, most famously Disney’s controversial animated effort, Malick ages up Pocahontas a little so she can have a romance with John Smith. In real life they had an intergenerational child-adult friendship. Most of the inaccuracies in the movie stem from this decision, as it heavily reframes Pocahontas’ character. For example, when she becomes a member of Jamestown she’s listlessly going through life because she believes John Smith is dead. In real life she was actually very interested in her new home and earnestly wanted to become an Englishwoman and a Christian.