Movie Review: Hearts in Bondage (1936)

 

Hearts in Bondage is an old black and white film about the birth of the Ironclad warships Merrimac and Monitor and their duel at the Battle of Hampton Roads in March 1862. I believe it's in the public domain, as one can easily find it on Youtube, and at 71 minutes long it should not be a large time investment. The title might cause some head scratching. I believe it refers to the torn allegiances of the main characters. Lieutenant Kenneth Reynolds (played by Oscar winner James Dunn) and fellow officer and friend Raymond Jordan are both Virginians (northern accents notwithstanding), but the Reynolds family stays with the Union while the Jordans choose their home state. Kenneth is engaged to Raymond's sister Constance and she ultimately stays with her fiancée despite loving her family. Thus one can say the title is about people are torn apart because their hearts are bonded to separate causes; Kenneth to the Union, Raymond to the Confederacy, and Constance to her love.

Kurz & Allison Part X: Late 1864

 While General Grant and the Army of the Potomac were still stuck at Petersburg, the Union scored various victories in late 1864 that hastened the end of the Confederacy and ensured Abraham Lincoln's reelection as President. Naturally Union veteran Louis Kurz would feature some of these victories in his lithographs, two from Union General Phil Sheridan's Shenandoah Valley Campaign and two from Confederate John Bell Hood's ill-devised Tennessee offensive.

Battle of Opequan or Winchester

The title for this lithograph is somewhat misleading. Opequan is in fact spelled Opequon and this is the Third Battle of Winchester. To be fair to Kurz this is the largest Winchester battle of the war (Winchester changed hands at least 72 times). This was a major battle of the 1864 Shenandoah Valley Campaign. General Jubal Early and his Confederates had been running rampant, even approaching Washington D.C. itself. Newly arrived the aggressive Sheridan was determined to end his run. On September 19 he assailed the Confederates along Opequon Creek. The Federals broke through, only to be repulsed by canister fire. General Wesley Merrit's cavalry brigade got into the Confederate rear and after confused fighting Early withdrew to Fisher's Hill, the site of the next battle. This started a string of defeats for the Confederates in the Valley.

A Very Short History of Dahomey II: The Tegbesu Dynasty

In the last part we looked at the origins of the Kingdom of Dahomey, and how it settled into its role as a regional slave-trading power. Here we cover the 18th Century, when the slave trade went largely unquestioned by Europe and provided Dahomey with a wide range of customers. However, it was not as profitable as the African rulers may have hoped.

An 18th Century army procession, led by (possibly) a king with a feathered hat. Note all of the umbrellas. Umbrellas were a status symbol in Dahomey and could be quite colorful in their design.

Chapter II: The Tegbesu Dynasty

Tegbesu

Unlike his father, Tegbesu was very accommodating to European traders. He helped them maintain their forts and trading posts. In one incident 1743 he had a Portuguese fort blown up to display his power over the port of Igelefe. The Portuguese was harboring a Hueda leader. The Hueda were still trying to regain control of Ouidah and throw off their dependent status to Dahomey. Often suspecting the Europeans of siding with their enemy, the Dahomeans would sometimes launch attacks on European forts. On July 21, 1743, they targeted the Portuguese fort. At some point the fort’s powder magazine detonated and the Dahomeans were able to enter and kill many of its inhabitants in their search for the Hueda leader. After this the Europeans never backed the Hueda in their power plays, though the former rulers of Ouidah would make further attempts into the 1770s with backing from Little Popo (in present day Togo).

A Very Short History of Dahomey I: Origins

Map of West Africa by Hermann Moll (George A. Smathers Library, University of Florida)

In September of 2022, the Woman King came to theatres. The movie was surrounded by controversy. The marketing glorified Dahomey’s all-female warrior unit, the Agojie, as black freedom fighters battling white domination. Naturally those who saw the trailer looked into the background of the Agojie and were shocked to learn that they served a kingdom that much of its wealth from selling other Africans to Europeans, not to mention using slave labor to run its internal economy. The movie is not quite as bad as suspected, but still rewrites parts of history to enable a good guys (or in this case good girls) versus bad guys narrative.

My own curiosity piqued, I’ve read several books and many articles on the Kingdom of Dahomey. I do not specialize in African history, but I hope this will be a good short history of a West African kingdom. I do not have access to all the primary source accounts of Dahomey, but secondary sources reference and quote them at length. I.A. Akinjogbin’ Dahomey and it’s Neighbours is a detailed summary of the Tegbesu Dynasty, which ruled from 1708 to 1818. I will thus be using it frequently in my first two parts. Robin Law’s Ouidah: The Social History of a West African Slaving ‘Port’ covers the primary port and point of contact with Europeans. Ouidah saw a million slaves pass from Africa over the Atlantic to American colonies and Law does a great job covering every aspect of the slave trade and relations with Europeans. Melville Herskovits' Dahomey: An Ancient West African Kingdom is not a narrative history but a summary of Dahomean social, cultural, and religious practices. Basil Davidson’s The African Past and Dov Ronen’s Dahomey: Between Tradition and Modernity offer more simplified summaries of Dahomey history. Finally there is Stanley Alpern’s Amazons of Black Sparta, the only full-length study of the all-female Agojie warriors. It goes into further detail on women in Precolonial Dahomey and various military operations.

 

Chapter I: Origins

The Founding

Dahomey occupied what is now the southern third of Benin (on the West Coast of Africa south of Nigeria). It was made up of the Fon People and centered on the Abomey Plateau. They originated the Aja, a subset of a greater Yoruba culture that dominated the armpit of Africa. They became Fon when they mingled with the other residents of late Medieval Benin. In the 17^th Century, the peoples that lived in what is now southern Benin mostly resided within city-state kingdoms. At its inception Dahomey existed alongside Allada, Jakin, Ouidah, and Popo (all of which would one day be absorbed into Dahomey via conquest). Each of these kingdoms had a main town where the king resided, and a few or more other major towns alongside various villages. Each king had under him a group of chiefs, who like him practiced hereditary succession. Familial and biological bonds were considered the most important building blocks of Aja culture and the basis for citizenship. The emphasis on kinship groups meant that the kings had no actual centralized government or army. It was the kinship groups that guided the course of these little kingdoms.

Movie Review: They Died with Their Boots On (1941)

They Died with Their Boots On is a George Armstrong Custer biopic directed by Raoul Walsh. It covers Custer's life from his arrival at West Point to his last stand at the Battle of the Little Bighorn, and for a big history buff such as myself it does so poorly. I heard and expected this movie to not be too accurate, especially since it makes the common biopic mistake of compressing years to decades of a person's life into a single movie. But I was still quite shocked by some of the choices.

They Died with Their Boots On was the last of 8 on-screen pairings between action movie star Errol Flynn and leading lady Oliva de Havilland. If one isn't particularly concerned by historical faithfulness, it's an entertaining flick. The actors do their jobs and the protagonists are likeable. The humor, especially in the West Point and courtship scenes, is quite nice as well. Errol Flynn of course plays Custer. He's as charming as he was as Robin Hood or Captain Blood. You won't see much critical appraisal of the historical figure here. Like the real Custer he's impulsive, but this trait is never shown as detrimental to the men under him as it truly was. Olivia de Havilland is of course Libby Bacon, later Libby Custer. Like Flynn's Custer she's likeable but stripped of some of her more controversial attributes (to be fair the movie doesn't cover the post-Bighorn period where she defended her husband's reputation by attacking his peers and superiors in the military). The most recognizable supporting cast includes Sidney Greenstreet as a the historically rotund General Winfield Scott, a young Anthony Quinn as Crazy Horse, and Hattie McDaniel as the Bacons' servant Callie (this character is more of a Mammy than McDaniel's own Gone with the Wind character who gave the stereotype her name).

Kurz & Allison Part IX: Atlanta Campaign

 While Grant oversaw what was hopefully the final offensive in Virginia, General William Tecumseh Sherman led three armies (Army of the Tennessee, Army of the Cumberland, and Army of the Ohio) on a drive to the vital railroad and communications hub of Atlanta, Georgia. General Joseph E. Johnston led the Confederate resistance. Sherman tried to outmaneuver Johnston while the Confederate commander attempted defensive battles to compensate for his numerical inferiority. Louis Kurz selected three battles from this campaign for his lithographs.

Battle of Resaca

Resaca was the first major battle of the campaign. General James B. McPherson’s Army of the Tennessee had an opportunity to get around the left of the Confederates and into their rear, thus trapping them. He failed to act on it. As a result timely reinforcements under General Leonidas Polk were able to reach Johnston and force the Union into a headlong battle from May 13-15. Johnston ordered a retreat as Sherman again threatened to cut into his rear.