Americas 250th Birthday Cinemathon #21: Gods and Generals (2003) part 2 of 2

 

Here is the second part of my Gods and Generals review, going through the film to look at the battles as well as a few other points I wanted to discuss.

First Bull Run

The movie begins with Lee meeting Francis Preston Blair, a major political figure at the time, to discuss an offer to command the Union Army. Lee refuses, citing that his primary loyalty is to Virginia and the if it secedes he will join it. It’s funny how all these Civil War films and shows always have Lee starting the war with his gray hair and beard. Actually, he had dark hair and just a mustache, and was even considered handsome for a man in his fifties. The stress of the war is what changed his look into the one familiar to us today.

Most of the first act focuses on Jackson, and outside of the Lee and Booth scenes this could have been the first part of a Jackson biopic. Now, I hadn’t seen Gods and Generals in ten years, so I was hit with a few fresh observations, and one is that there is actual no explanation for what exactly is going on militarily. Jackson’s brigade does a little training and then marches off for a battle. We don’t get any exposition about why the armies are clashing at Manassas Junction because everyone is too busy delivering speeches. They just go to a battle and start fighting.

Americas 250th Birthday Cinemathon #21: Gods and Generals (2003) part 1 of 2

General Intro

I’m finally into the Civil War proper, my favorite era of history. Because of my enthusiasm for the subject, a couple review are going to be long. That’s why the first movie for the war, Gods and Generals, is going to get a multi-part review.

Before the movie Gods and Generals was the prequel to Gettysburg, the novel it was based was written as a prequel to Gettysburg’s source Killer Angels. The author Jeff Shaara, was following the success of his father’s historical novel in that he takes a few important officers on each side of a conflict and then tries to get into their minds. Unlike Killer Angels, which focuses only on a few days in 1863, Gods and Generals covers entire Civil War up to the death of Thomas “Stonewall” Jackson in May 1863. Naturally, one may imagine a screen adaptation would take the form of a mini-series (Jeff Shaara has said this), but Ron Maxwell, who had a bit hit with Gettysburg, seemed to think it would be fine as an actual theatrical release.

Between the large scope of history the film covers and some poor filmmaking choices, Gods and Generals was such an uneven slog that it became a big flop. Critical events and important figures have to be cut to make room, but at the same time Maxwell spends an inordinate amount of time on fluff, unnecessary side characters, and long speeches that worked in the more condensed timeline of Gettysburg, but kill the pacing here.

Kurz & Allison Part V: The Summer of ’63

 Mid-1863 saw several battles and campaigns that put military momentum solidly with the Union. Many consider this the turning of the tide, though it can be argued that the Union  was once on the verge of winning in mid-1862 and the Confederacy actually made some comebacks in 1864.

Battle of Chancellorsville

After restoring morale and efficiency within the Army of the Potomac, General Joseph Hooker attempted a flanking movement across the Rappahannock against Lee’s Confederate forces. He actually placed the heavily outnumbered Lee in a tricky situation near Chancellorsville at the start of May 1863. On May 2 General “Stonewall” Jackson executed an incredible flank march that routed the Union right. Jackson was hit by friendly fire (he would actually die of pneumonia instead of his wounds) while Hooker suffered a concussion that affected his judgment. The next day the Confederates were able to drive the Federals back across the river. Despite accomplishing one of his most celebrated victories, Lee believed that he could not afford any more such bloody battles.

Kurz focuses on the events of May 2. He shows the Union troops withdrawing towards the background, where artillery covers their retreat. The centerpiece, however, is the wounded Jackson. It looks like he’s been hit by a lucky enemy bullet rather than friendly fire. All the Confederate soldiers are ahead of him attacking the Federals. Also, Jackson was hit at night while reconnoitering ahead of his lines, not during  the height of the daylight action. Obviously Kurz wanted to show the infamous shooting while still displaying a battle vista.

Battle of Champion Hills

This is the first of two lithographs covering the Vicksburg Campaign. After a string of failures to take the last Rebel bastion on the Mississippi River, General Ulysses S. Grant finally put together his magnum opus. With the help of the Navy he was able to quickly slip his army from north to south of Vicksburg and cross back over the Mississippi (into the state of the same name). What followed was a string of battles where Grant defeated disunified Confederate forces. Champion Hill (called Champion Hills for the lithograph) was one of the more crucial encounters. On May 16 Grant struck General Louis Pemberton’s main force at the considerable height of Champion Hill. The Federals first flanked and then smashed through the Confederate lines, taking the nearby crossroads. The battle forced Pemberton towards Vicksburg with no escape route, ensuring a siege.

I am not as acquainted with this battle so I might miss a couple inaccuracies or neat references to real locations and figures. The Confederates in the foreground are notably more diverse in their clothing, especially the prisoners. Those on the right in front of the formidable Champion Hill sport a battle flag with inverted colors for St. Andrew’s Cross and the stars. The mounted figure leading his men on with his hat is General John Logan, who got into the Confederates’ flank. Logan was a political general from Illinois who enjoyed more success than others of his kind, possibly because his aggression worked well with Grant and Sherman’s battle plans.

The Battle of Gettysburg

The bloodiest (and almost largest) battle on North American soil, Gettysburg occurred from July 1 to 3. Lee, looking for a quick blow to end the war, invaded the North for the second time. Through a series of mistakes and circumstances, the two sides blindly struck each other north of the crossroads town of Gettysburg, Pennsylvania. On the first day Confederates pushed the Federals south through the town. The Army of the Potomac, now under General George Meade, took the heights south of town and narrowly repulsed a series of attacks on the second day. The third day cemented the Confederate defeat when Lee’s major assault on the Union center turned into a bloodbath. This was the first and perhaps only massive tactical defeat for Lee.

As with most artists who choose one part of the battle, Kurz focuses on Pickett’s Charge, the ill-devised July 3 assault on Cemetery Ridge. This is definitely one of his more cluttered works and I have to say not as striking. Masses of men from both sides advance from the sides of the lithograph. A wrecked Union battery shows the work of the incredible pre-assault bombardment (which was actually ineffective thanks to untested ordnance). A clump of Confederate prisoners are escorted off while a thick line of men snakes over the stone wall. The fence along Emmitsburg Road can be made out behind a shell-struck group of Rebels. If the dying officer on horseback is supposed to be General Lewis Armistead, Kurz forgot he was on foot for the whole charge.

Siege of Vicksburg

The Siege of Vicksburg lasted from May 18 to July 4. Grant made several attempts to take the city by force, all of which failed. Bombardments, though terrifying to the civilians, also did not wear down Confederate resistance. It was starvation that finally forced the loss of the city. Pemberton was supposed to get relief from General Joseph Johnston to the east, but Johnston dallied. Relief attempts from the Trans-Mississippi came too late and ended in defeat anyways. On July 3 Pemberton opened up talks of surrender, which were finalized the following day. Combined with the defeat at Gettysburg, this was a disaster for the Confederacy, giving the Union unrestricted access along the Mississippi River.

This is one of the more placid works, though there is still some action. Shells burst among the entrenchments and Union gunboats patrol the Mississippi River. For once some of the soldiers are shown not fighting. Many are actually lounging about, in great contrast to all the activity on the left side of the lithograph. In the right foreground an officer directs Grant’s attention (to what we don’t know). A Confederate party carrying a white flag emerges from the trees. It could be a flag of surrender, but the tiny red cross in one corner indicates it may be something else.